• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文期刊>International journal of signs and semiotic systems >The Reincarnation of the Aura: Challenging Originality with Authenticity in Plaster Casts of Lost Sculptures
【24h】

The Reincarnation of the Aura: Challenging Originality with Authenticity in Plaster Casts of Lost Sculptures

机译：光环的转世：在失落的石膏石膏模型中挑战原创性和真实性

获取原文
获取原文并翻译 | 示例
           
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

In 1935, Walter Benjamin introduced the aura as the abstract conceptualization of uniqueness, authenticity, and singularity that encompasses an original art object. With the advent of technological reproducibility, Benjamin posits that the aura of an object deteriorates when the original is reproduced through the manufacture of copies. Employing this concept of the aura, I outline the proliferation of plaster casts of sculptures in 18th- and 19th-century Europe, placing contextual emphasis on the cultural and prestige value of originals and copies. Theories of authenticity in both art history and material culture are used to examine the nature of the aura and to consider how the aura transforms when an original object is lost from the material record. Through an object biography of a 15th-century sculpture by Francesco Laurana, I propose that the aura does not disappear upon the loss of the original, but is reincarnated in the authentic reproduction.
机译：1935年，沃尔特·本杰明（Walter Benjamin）将光环作为包含原始艺术品的独特性，真实性和奇异性的抽象概念化引入。随着技术可复制性的到来，本杰明认为，通过复制品复制原件时，物体的光环会恶化。我采用这种光环的概念，概述了18世纪和19世纪欧洲石膏雕塑的泛滥，并根据上下文强调了原件和复制品的文化和声望价值。艺术史和物质文化中的真实性理论用于检验光环的性质，并考虑当原始物体从材料记录中丢失时光环如何转变。通过弗朗切斯科·劳拉纳（Francesco Laurana）的15世纪雕塑作品的传记，我建议光环在丢失原始物时不会消失，而会在真实的复制品中转世。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号