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首页> 外文期刊>International Review of Law Computers & Technology >'Interactivity; and Digital Works: How Legal Rules are Restricting our Ability to use Digital Works as a Communications Medium
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'Interactivity; and Digital Works: How Legal Rules are Restricting our Ability to use Digital Works as a Communications Medium

机译：'互动性；和数字作品：法律规则如何限制我们使用数字作品作为传播媒介的能力

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摘要

Copyright law has traditionally granted a negative right to authors to prevent others making a copy of a protected work. However, there is an increasing trend for right holders to treat it as a positive right that controls the use of a work. This is invariably achieved through the use of 'digital rights management' ('DRM') mechanisms. Pre-digital works, such as books, were not necessarily easy to copy because of their physical characteristics. Photocopying an entire book could, for instance, take considerable time, effort and money. However, digital technology enables works to be easily copied an almost limitless number of times. Right holders are therefore keen to restrict the ability of individuals to copy their works. They do this by creating digital 'walls' with DRM mechanisms. However, this could lead to a restriction in the uses to which digital works may be put. Over time, the use of works generally has been increasingly 'interactive'. As they have become more 'interactive', they have been more reliant on copies being made of the original works. Such 'interaction', it may be said, has led to new forms of communication. Today, edited versions of original works are often to be found. Nonetheless, some of these interactive uses of works are restricted by DRM mechanisms. The author suggests that some of these uses should be permitted, so to as not unduly restrict new forms of communication.
机译：传统上，版权法授予作者一项消极权利，以防止他人复制受保护作品。但是，权利人越来越倾向于将其视为控制作品使用的积极权利。这总是通过使用“数字版权管理”（DRM）机制来实现的。诸如书籍之类的数字前作品由于其物理特性而不一定易于复制。例如，复印整本书可能会花费大量时间，精力和金钱。但是，数字技术使作品几乎可以无限次地被复制。因此，权利人渴望限制个人复制其作品的能力。他们通过使用DRM机制创建数字“墙”来做到这一点。但是，这可能会限制数字作品的使用范围。随着时间的流逝，作品的使用通常越来越“互动”。随着它们变得更加“互动”，它们越来越依赖于原始作品的复制品。可以说，这种“互动”导致了新的交流形式。如今，经常可以找到原始作品的编辑版本。但是，作品的这些交互使用中的某些受到DRM机制的限制。作者建议应允许其中某些用途，以免不适当地限制新的交流形式。

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