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Sculptors and Design Reform in France, 1848 to 1895: Sculpture and the Decorative Arts

机译:1848年至1895年的法国雕塑家和设计改革:雕塑和装饰艺术

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摘要

One reason I was excited to use in my classes Petra ten-Doesschate Chu's Nineteenth-Century European Art, now in its third edition, was that the inclusion of decorative arts, albeit limited, gave a more complete picture of art production in the long nineteenth century.1 The incorporation of the decorative arts into this mainstream college textbook also seemed to be a clear signal that the time was ripe for further integration of the decorative arts into academic discussions of sculpture, painting and architecture. Claire Jones' Sculptors and Design Reform in France, 1848 to 1895: Sculpture and the Decorative Arts, which examines multiple facets of the relationship between sculpture and the decorative arts in the second half of the nineteenth century, is an example of the benefits of such scholarly investigations.
机译:我很高兴在班级使用Petra 10-Doesschate Chu的《十九世纪欧洲艺术》(现在已是第三版)的原因之一是,尽管装饰有限,但在十九世纪很长的一段时期内,装饰艺术的创作就更加完整了世纪1。将装饰艺术纳入这本主流大学教科书似乎也清楚地表明,将装饰艺术进一步纳入雕塑,绘画和建筑学术讨论的时机已经成熟。克莱尔·琼斯(Claire Jones)在1848年至1895年间在法国进行的雕塑家和设计改革:雕塑与装饰艺术研究了19世纪下半叶雕塑与装饰艺术之间关系的多个方面,这就是这种好处的一个例子。学术研究。

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  • 来源
    《Journal of design history》 |2016年第3期|303-305|共3页
  • 作者

    Maria P. Gindhart;

  • 作者单位

    Art History, Ernest G. Welch School of Art & Design, Georgia State University, Atlanta, USA;

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  • 正文语种 eng
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