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首页> 外文期刊>Journal of design history >Creative Living, Ecological Design and Russel Wright's Manitoga
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Creative Living, Ecological Design and Russel Wright's Manitoga

机译:创意生活,生态设计和罗素·赖特的《马尼托加》

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摘要

With contemporary designers increasingly focusing on environmental considerations, design historians have begun the search for precedents that might reconstruct design history in sustainable terms. An essential step in this reconstruction will be further consideration of design as an extended ecological practice or process, rather than the previously narrow focus on the production, consumption and mediation of discrete, finished artefacts. This article examines design as an ecological practice through a close analysis of American designer Russel Wright's home, studio, and woodland garden, Manitoga. Integrating architecture, interior, and landscape design into an environmental gesamtkunstwerk, Manitoga is a largely forgotten proto-ecological design project of the 1950s. However, Manitoga is more than simply a historical site, and is reconsidered here as a project that combines Wright's 'creative living' ideals and design processes, one that remains provocative over fifty years later.
机译:随着当代设计师越来越关注环境因素,设计历史学家已开始寻找可能以可持续的方式重建设计历史的先例。重建的关键步骤是将设计进一步考虑作为一种扩展的生态实践或过程,而不是以前对生产,消费和调解离散的成品工艺品的狭窄关注。本文通过对美国设计师Russel Wright的住宅,工作室和林地花园Manitoga进行仔细分析,将设计作为一种生态实践进行了检验。 Manitoga将建筑,室内设计和景观设计整合到环境gesamtkunstwerk中,这是1950年代被遗忘的原始生态设计项目。然而,马尼托加不仅仅是一个历史古迹,在这里被重新考虑为一个结合了赖特的“创意生活”理想和设计过程的项目,该项目在五十年后仍然具有启发性。

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