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Women Muralists, Modern Woman and Feminine Spaces: Constructing Gender at the 1893 Chicago World's Columbian Exposition

机译:女性壁画,现代女性和女性空间:1893年芝加哥世界哥伦比亚博览会上的性别建构

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Women artists of the 1893 Chicago World's Columbian Exposition were able to enter the field of public mural painting in unprecedented numbers because of the gendered associations of the buildings and rooms in which they were asked to exhibit. These Exposition spaces were similar to home-based studios and women's art institutions, as each of them were understood and codified as feminine and as such provided women artists with socially sanctioned space in which to work or to exhibit. Regardless of the implied restriction of women, both artists and visitors, to gendered spaces such as the Woman's Building, women did, however, succeed in traversing the boundaries of the Fair and were consequently able to participate in both the broader sphere of the Fair and its host city, Chicago.
机译:1893年芝加哥世界哥伦比亚博览会的女画家以前所未有的数量进入公共壁画领域,原因是被要求展出的建筑物和房间具有性别关联。这些博览会空间类似于家庭工作室和妇女艺术机构,因为它们每个都被理解为女性化,并为女性艺术家提供了受到社会认可的工作或展览空间。尽管暗含了女性和艺术家的双重限制,例如艺术家和参观者都被限制在诸如女性建筑之类的性别空间中,但是,女性确实成功穿越了博览会的边界,因此能够参与更广泛的博览会和它的主办城市芝加哥。

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