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首页> 外文期刊>Journal of Iberian and Latin American Studies >El retablo de Maese Federico: Lorca's Romancero gitano as puppet theatre
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El retablo de Maese Federico: Lorca's Romancero gitano as puppet theatre

机译：Maese Federico的祭坛画：洛尔卡的罗曼塞罗·吉塔诺（Romancero gitano）作为木偶剧院

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This article considers the profound influence that puppet theatre had on Federico García Lorca's poetic vision and practice at the time that he was writing the poems that would eventually make up the Romancero gitano (1928). Taking the ‘Romance sonámbulo’ as its main example and focusing on elements such as setting, stage space, lighting and décor, characterisation, movement, choreography, and the complicit relationship between puppeteer, character and audience, it shows how Lorca draws on and plays with all the machinery and conventions of puppet theatre in this collection and, to all intents and purposes, transforms each of its poems into a mini puppet play. The article ends by considering the wider consequences for our reading of the Romancero gitano of Lorca's puppet aesthetic.View full textDownload full textKeywordsLorca, Romancero gitano , puppetry, theatre, complicityRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14701847.2011.637404
机译：本文考虑了木偶剧院对费德里科·加西亚·洛尔卡（Federico Garcca Lorca）创作诗歌的深刻影响，当时他创作的诗歌最终构成了Romancero gitano（1928）。以“浪漫的儿子姆布洛”为主要示例，并着重于诸如设置，舞台空间，灯光和装饰，特征，动作，编舞以及p，角色和观众之间的复杂关系等元素。展示了洛尔卡（Lorca）如何利用和使用该集合中木偶剧院的所有机制和惯例，并且出于所有意图和目的，将其每首诗都转变成了一个迷你木偶剧。文章的结尾考虑了我们阅读洛尔卡人偶美学的Romancero gitano的更广泛的后果。查看全文下载全文关键字关键字Lorca，Romancero gitano，人偶，剧院，同谋关系var addthis_config = {ui_cobrand：“ Taylor＆Francis Online”，services_compact：“ citeulike，netvibes，twitter，technorati，美味，linkedin，facebook，stumbleupon，digg，google，更多”，发布：“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14701847.2011.637404

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