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Quality Of Color Lightness Reproductions

机译:色彩亮度复制品的质量

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The purpose of this study is to determine whether there is any correlation between subjective and objective artwork reproduction assessment when using different printing technologies. The investigations are based on reproductions of works of art, which belong to the traditional tonal system of visual representation, characterized by the brightness range of the dominant hue from a certain part of the spectrum. This system appeared in the period of the late Renaissance. Today it is often used for expressing volume in graphic media. As a method for assessing the quality of the reproductions, instrumental measurement and visual evaluation were used. The visual study included formal/methodological characteristics of the artwork. Based on the results, a correlation between objective and subjective approaches has been shown. The results demonstrate that the best quality of color lightness is produced with conventional offset printing and an amplitude modulation screen. These results can be applied in the reproduction of images employing this tonal system of visual representation.
机译:这项研究的目的是确定使用不同的印刷技术时,主观和客观艺术品复制评估之间是否存在任何关联。这些调查基于艺术品的复制品,这些艺术品属于视觉表示的传统色调系统,其特征在于频谱中特定部分的主要色相的亮度范围。该系统出现在文艺复兴后期。如今,它通常用于在图形媒体中表达音量。作为评估复制品质量的方法,使用了仪器测量和视觉评估。视觉研究包括艺术品的形式/方法特征。基于结果,已显示出客观和主观方法之间的相关性。结果表明,使用常规的胶版印刷和调幅屏幕可产生最佳的色彩明度。这些结果可以应用于采用这种视觉表示的色调系统的图像再现中。

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