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THE BEGINNING OF THE END OF THE INTERNET RADIO ROYALTY DISPUTE

机译：互联网无线电版税争端结束的开始

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Imagine tuning in to your favorite radio station only to hear one of the year's most popular songs again. You begin to hum along. When the chorus begins, you chime in: "There's a long, long trail a-winding into the land of my dreams, where the nightingales are singing and a white moon beams... ." This scenario sounds pretty far-fetched if you consider the fact that "There's a Long, Long Trail" was one of the most popular songs of 1915. However, that is exactly what happened to radio listeners in 1940. That year, "Jeannie with the Light Brown Hair" was the most popular song, despite having been written nearly 90 years earlier. In 1939, the American Society of Composers, Authors and Publishers (ASCAP) increased the royalty rates that it demanded of radio stations to prices so high that many refused to pay. For 10 months, radio stations aired only public domain songs like "Jeannie with the Light Brown Hair" and the works of previously unknown artists. That same year, Broadcast Music, Incorporated (BMI) emerged to challenge ASCAP's monopoly and, in the process, introduced America to pop music.
机译：想象一下，调入您喜欢的广播电台后，只能再次听到一年中最受欢迎的歌曲之一。你开始哼哼。合唱开始时，您会发出声音：“有一条长长的小路蜿蜒进入我梦dream以求的地方，夜莺在唱歌，白色的月亮在光束……”如果您考虑到“那里有很长很长的足迹”是1915年最流行的歌曲之一的事实，那么这种情况听起来就很牵强。但这正是1940年的广播听众所经历的。那年，“珍妮与尽管已经写了将近90年前，“ Light Brown Hair”还是最受欢迎的歌曲。 1939年，美国作曲家，创作者和出版者协会（ASCAP）将广播电台要求的特许权使用费率提高到很高的价格，以致许多人拒绝支付。在过去的10个月中，广播电台只播放了公共领域的歌曲，例如“珍妮与浅棕色的头发”和以前未知的艺术家的作品。同年，广播音乐公司（BMI）挑战了ASCAP的垄断地位，并在此过程中将美国引入了流行音乐。

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