Social conventions and the dialectics of recognition: Power and culture in Shakespeare and Ibsen

Fredrik Engelstad

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Social conventions and the dialectics of recognition: Power and culture in Shakespeare and Ibsen

机译：社会习俗与承认的辩证法：莎士比亚和易卜生的权力与文化

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A dominant model of social action explains macro outcomes by aggregating a large set of independent actions, while actors' preferences and plans are explained by cultural background or cultural context. While useful for several purposes, the weakness of this model lies in its simplistic treatment of culture and disregard of power. Not only individual preferences but also the desire for recognition by others determine social action. The locus classicus for this type of recognition is Hegel's master-slave dialectics, later reinterpreted by Alexandre Kojeve. Moreover, cultural norms and conventions should not be treated solely as given. Actors use them purposively, by breaking, reinterpreting or using them as a weapon against adversaries. Such mechanisms are discussed in connection with three cases from classical dramas: Shakespeare's Taming of the Shrew and Ibsen's A Doll's House and Ghosts. The use of literary examples instead of real-life data has some limitations but also some advantages. Undoubtedly, there are crucial differences between literature and life. But literature offers more nuanced and complex descriptions of social life that are difficult to capture in ordinary data. An indication of the relevance of literary descriptions is the century-long interest and attention of the critical public.

机译：社会行动的主导模型通过聚集大量独立行动来解释宏观结果，而行为者的偏好和计划则由文化背景或文化背景来解释。尽管该模型可用于多种目的，但其缺点在于其对文化的简单处理和对权力的无视。不仅个人的喜好，而且他人认可的愿望也决定了社会行为。黑格尔的主从辩证法是这种认识的经典源，后来由亚历山大·科耶夫（Alexandre Kojeve）重新解释。此外，文化规范和公约不应仅被视为给定的。演员通过破坏，重新解释或将其用作对抗对手的武器，有目的地使用它们。结合经典戏剧中的三个案例讨论了这种机制：莎士比亚的驯悍记和易卜生的《娃娃屋与鬼魂》。用文学例子代替现实生活中的数据既有局限性，也有优势。毫无疑问，文学与生活之间存在重要的差异。但是文学提供了对社会生活的细微差别和复杂的描述，这些描述很难用普通数据捕捉。文学描写的相关性的标志是一个世纪以来对批判公众的关注和关注。

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《Journal of power》 |2008年第2期|143-155|共13页
作者
Fredrik Engelstad;
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正文语种 eng
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power; culture; norms; structures; domination;

机译：功率;文化;规范结构;统治;

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3. INTERWEAVING THEATRE CULTURES IN IBSEN PRODUCTIONS [J] . Erika Fischer-Lichte (Show Biography) Ibsen Studies . 2008,第2期

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Social conventions and the dialectics of recognition: Power and culture in Shakespeare and Ibsen

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