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首页> 外文期刊>Journal of Religion and Health >John Prine’s Images of God and Male Melancholia: Terror, Forgiveness, and the Persistence of Desire
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John Prine’s Images of God and Male Melancholia: Terror, Forgiveness, and the Persistence of Desire

机译：约翰·普林（John Prine）的上帝和忧郁症男性形象：恐怖，宽恕和渴望的持久性

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摘要

Examines the God-representations of the country-folk singer John Prine in the light of psychological theory about male melancholia, drawing from Donald Capps and Erik H. Erikson. Describes the manner in which songwriting serves as a therapeutic enterprise to express and interpret melancholia in Prine's lyrics, especially in the songs "Saddle in the Rain" and "Fish and Whistle." At times these images evoke terror and at other times they humorously erase the authority divide between the divine and the human, suggesting that God may even need to be forgiven. Describing how melancholia is rooted in the man's experience with mother, this article interprets Prine's image of God in light of the need for sustenance, acknowledgement, and care.
机译：根据关于男性忧郁症的心理学理论，从唐纳德·卡普斯（Donald Capps）和埃里克·H·埃里克森（Erik H. Erikson）的角度研究乡村歌手约翰·普林（John Prine）的神像。描述歌曲创作作为治疗事业来表达和解释Prine歌词中忧郁症的方式，尤其是在歌曲《 Saddle in the Rain》和《 Fish and Whistle》中。有时，这些图像唤起了恐怖，有时又幽默地消除了神与人之间的权威鸿沟，这表明甚至可能需要宽恕上帝。本文描述忧郁症如何根植于男人在母亲身上的经历，根据对寄托，承认和照顾的需要，解释了Prine的上帝形象。

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