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首页> 外文期刊>Journal of tourism and cultural change >A new statue to proclaim an old culture: reactions to and intentions of the statue of 'Christ the redeemer', Melaka
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A new statue to proclaim an old culture: reactions to and intentions of the statue of 'Christ the redeemer', Melaka

机译:宣布旧文化的新雕像:对“基督救赎主”,Melaka的雕像的反应和意图

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摘要

Jointly-listed with George Town as a UNESCO world heritage site since 2008, Melaka is one of the few cities in Muslim-majority Malaysia where the public display of statues is not unusual. A replica of Rio De Janeiro's Christ the Redeemer built in the city's Portuguese settlement in 2017 nevertheless caused controversy due to its subject matter. As the largest statue in tourist-dependent Melaka, its public acceptance is an important cultural and heritage issue. It showcases a minority community's attempt to self-identify with a replica of a foreign cultural icon, raising questions about symbolism and authenticity surrounding how a new and imported construct can represent an old and localized culture. By highlighting the reaction of academic tourists to Melaka's Christ the Redeemer, this study shows how a small but strongly-motivated community can create a new statue that is nevertheless accepted as a proclamation of heritage. It is an example of how even a contentious monument can be protected from demolition by adding it to society's social conscience and 'tourist gaze'.
机译:自2008年以来,与乔治城共同列出的乔治城,Melaka是穆斯林 - 多数马来西亚的少数城市之一,公众展示雕像并不罕见。 Rio de Janeiro的reckica of Rio de Janeiro的基督在2017年建造了城市葡萄牙解决方案的救赎主,因此由于其主题而导致争议。作为旅游依赖Melaka中最大的雕像,其公众接受是一个重要的文化和遗产问题。它展示了少数群体社区的企图自我认同,并通过外国文化图标进行自我认同,提出了围绕新和进口构建的象征主义和真实性的问题,这些问题是如何代表旧的和局部文化。通过突出学术游客对Melaka基督的反应来救赎者,这项研究表明了一个小但强烈的社区如何创造一个新的雕像,尽管如此被认为是对遗产的宣传。这是一个甚至可以通过将其添加到社会的社会良知和“旅游瞩目”来保护甚至有争议的纪念碑甚至可以保护拆除纪念碑。

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