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首页> 外文期刊>JSAH: Journal of the Society of Architectural Historians >Hagia Sophia: Sound, Space, and Spirit in Byzantium
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Hagia Sophia: Sound, Space, and Spirit in Byzantium

机译：Hagia Sophia：拜占庭的声音，空间和精神

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摘要

Over the past decades, art and architectural historians have shown ever-increasing interest in how users of monuments and cities have historically experienced these spaces sensually. Especially for premodern contexts, this is a challenging endeavor: first-person accounts are virtually absent, and scholars are often limited to textual sources that need to be mined and read against the grain. Many sensory studies in architectural history focus on sound, eschewing other sensory modalities and ways in which sound, sight, smell, touch, and taste interlink. This focus can be explained by the availability of technological aids such as acoustic modeling software for reconstructing historical soundscapes and geographic information systems for creating sound maps that visualize auditory relationships. Within this literature, Deborah Howard and Laura Moretti's Sound and Space in Renaissance Venice, which examines music in Counter-Reformation churches, is by now a classic, while Niall Atkinson's The Noisy Renaissance, investigating how Florence's residents experienced their city's acoustic topography, provides a more recent example.
机译：在过去的几十年中，艺术和建筑历史学家对历史和城市用户历史上历史上这些空间有所了解的兴趣越来越兴趣。特别是对于初级背景，这是一个具有挑战性的努力：几乎没有账户缺席，学者们通常限于需要开采和遵守粮食的文本来源。许多在建筑历史中的感官研究侧重于声音，避免了其他感觉方式和方式，声音，视觉，嗅觉，触摸和味道交互。该重点可以通过技术辅助工具（例如声学建模软件）的可用性来解释，用于重建历史Soundscapes和地理信息系统，以创建可视化听觉关系的声音图。在这个文献中，德国霍华德和劳拉莫莱蒂在威尼斯威尼斯的声音和空间在反改革教会中检查了音乐，现在是一个经典，而Niall Atkinson是嘈杂的文艺复兴，调查佛罗伦萨的居民如何经历过他们的城市的声学地形，提供了更新的例子。

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