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MOUNT ELIZA GARDEN

机译：伊丽莎山花园

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It's not just a garden. it's a painting in progress. I'm talking about the landscape created by Jim Sinatra around a house outside Victoria's beachside suburb of Mount Eliza, where his imaginative design concept - undulating waves of textured planting and blocks of clean empty space, axial lines to artworks and broad views out to the sea - takes shape towards the end of more than a decade of heavy drought. Then the drought breaks. Water races down the slopes, pooling above and below the inhospitable soil, changing the scene and the future scenario. Practicality is an important part of creating gardens in Australia, Sinatra says, but suddenly it becomes even more necessary. "Before starting to do beautiful things, I had to do practical things. Re-draining the site, for instance. I decided we were going to go with what I knew would work in the conditions, especially the plants. I stayed with my big picture, but modified some of the detail. As such, it's a garden in the making. One that will take a few years to prove itself."
机译：这不仅仅是一个花园。这是一幅正在进行中的绘画。我说的是吉姆·辛纳屈（Jim Sinatra）在维多利亚海滨郊区伊丽莎山（Mount Eliza）郊外的一所房屋上创造的风景，他的想象力设计理念-波浪起伏的纹理植物和干净的空白空间，画作的轴线和对艺术品的广阔视野海洋-在十多年的严重干旱即将结束时形成。然后干旱就爆发了。水在斜坡上奔腾而下，在荒凉的土壤上方和下方汇聚，改变了景象和未来的情景。辛纳屈说，实用性是在澳大利亚创建花园的重要组成部分，但是突然之间，它变得更加必要。 “在开始做漂亮的事情之前，我必须做一些实际的事情。例如，重新排干场地。我决定我们要按照我所知道的在特定条件下可行的方法进行工作，尤其是植物。我留在自己的大房子里。图片，但修改了一些细节。因此，这是一个正在建造的花园。需要花费几年的时间才能证明自己。”

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