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NOTEWORTHY Virginia San Fratello

机译：值得注意的弗吉尼亚州圣弗拉茨

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I can't think if my legs aren't moving. I went out for a walk to think about what I might write for this column and realized that walking enables me. For over a decade, I have been walking in the southern parts of the high desert of the San Luis Valley where it meets the Taos Plateau, which spans southern Colorado and northern New Mexico. The ground in this region has been used to make buildings and pottery for thousands of years, and as I wander its volcanic landscape, I collect the ground. It is my medium for 3D-printing ceramics and buildings such as the Casa Covida, pictured here, a house for cohabitation and respite during the time of COVID. Right now this ground is covered with snow. The surrounding mountains look like alabaster, and the sky closest to the earth is filled with icy cirrus clouds. It feels like I'm walking through a vast white canvas where my mind can wander. As I walk, I contemplate a future where additive manufacturing can interface with natural phenomena-such as earth and snow-outside of the lab and outside of the factory, and I realize this is my way forward.
机译：如果我的腿不动，我想不出。我出去散步思考我可能为这一列写的东西，并意识到走路让我能够。十多年来，我一直在圣路易斯山谷的高沙漠的南部，迎接陶斯高原，南部科罗拉多州和新墨西哥北部。该地区的地面已被用来制造成千上万年的建筑物和陶器，而当我徘徊火山景观时，我收集了地面。这是我的3D印刷陶瓷和建筑物，如Casa Covida，如图所示，在Covid时的同居和喘息的房子。现在这个地面覆盖着雪。周围的山脉看起来像山雀，最接近地球的天空充满了冰冷的卷云。感觉就像我走过一个茫然的白色画布，我的思绪可以徘徊。当我走路时，我考虑了一个未来，添加剂制造可以与自然现象界面 - 如地球和雪 - 在工厂的实验室外，我意识到这是我的前进方向。

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    《Metropolis》 |2021年第2期|152-152|共1页
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