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A floating island of sustainability

机译:可持续发展的浮岛

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摘要

In 1970, the artist Robert smithson proposed his Floating Island, a commercial shipping barge full of earth and covered in trees that he wanted to have towed around Manhattan island as if to mock its giddy, man-made skyline. In New York this summer, the artist Mary Mattingly turned the idea into reality on a rented barge almost 300 metres square. Her homage to Smithson is as functional as it is aesthetic; she has designed a post-doomsday survival experiment on which she and a few friends have been living since mid-June. "It's a ship. It's a farm. It's an art residence. It's an installation," Mattingly says.
机译:1970年,艺术家罗伯·史密森(Robert smithson)提出了他的浮岛(Floating Island),这是一艘充满地球的商业运输驳船,上面布满了树木,他想在曼哈顿岛周围拖曳,仿佛在模仿人造的天际线。今年夏天在纽约,艺术家玛丽·马汀利(Mary Mattingly)在近300米的租用驳船上将这个想法变成了现实。对史密森的敬意既有美感,又有实用性。她设计了一个世界末日生存实验,自6月中旬以来,她和几个朋友一直在此生活。 “这是一艘船。这是一个农场。这是一栋艺术住宅。这是一个装置。”马汀利说。

著录项

  • 来源
    《Nature》 |2009年第24期|478-478|共1页
  • 作者

    Christopher Turner;

  • 作者单位
  • 收录信息 美国《科学引文索引》(SCI);美国《工程索引》(EI);美国《生物学医学文摘》(MEDLINE);美国《化学文摘》(CA);
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  • 正文语种 eng
  • 中图分类
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