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首页> 外文期刊>Neophilologus >El público femenino del Modernismo: la recepción imitativa y crítica de sus lectoras especializadas
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El público femenino del Modernismo: la recepción imitativa y crítica de sus lectoras especializadas

机译：现代主义的女性受众：专业读者的模仿和批判性接受

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摘要

Despite the importance of female readers for the development of Spanish Modernism, scholars have practically overlooked their existence and have rather focussed on other areas of Modernist readership, such as the mutual readings by Modernist poets and the reactions from official literary critics. To describe and analyze that female readership is a pending task since this one was perhaps the most faithful public of this movement. There are several ways to recreate that scenario, such as the study of rhetoricism specifically intended for female readers, or the analysis of female readers appearing as characters in those works. In this article, I use testimonies from historical female readers to show the real importance of that audience as well as those moments in which authors and readers interact and generate some of the better known characteristics of Modernist literature. Following reader-response theories, I classify those readers in two main groups ("specialized" and "naive"), list the names of some of those readers, show how they relate to Modernist authors and, finally, attempt to proof that these readers were also important agents for the dissemination of that literature.
机译：尽管女性读者对西班牙现代主义的发展具有重要意义，但学者们实际上忽略了它们的存在，而是将注意力集中在现代主义读者群体的其他领域，例如现代主义诗人的互读以及官方文学评论家的反应。要描述和分析女性读者是一项悬而未决的任务，因为该读者可能是这一运动中最忠实的公众。有几种方法可以重现这种情况，例如专门针对女性读者的修辞学研究，或对那些以角色形式出现的女性读者的分析。在本文中，我将使用历史女性读者的证词来显示该受众的真正重要性，以及作家与读者互动并产生一些现代主义文学特有特征的时刻。根据读者回应理论，我将这些读者分为两个主要类别（“专业”和“天真”），列出其中一些读者的名字，展示他们与现代主义作家的关系，最后尝试证明这些读者也是传播该文献的重要媒介。

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