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Goethes Vulkane: Naturgewalt in der Italienischen Reise

机译:歌德的火山:意大利之旅中的自然力量

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摘要

Goethe, in his Italienische Reise, stylized certain aspects of Southern life as "Arcadian", yet he proved to be an accurate observer with regard to landscape features. A disciple of the emerging science of geology, he climbed Mount Vesuvius three times. Yet his reactions to the active mountain were ambiguous: what aroused his deep curiosity as a mineralogist was often too erratic and formless to satisfy him as an artist. Goethe was, after all, turning to classicist principles. This leads to a peculiar tension in all of Goethe's descriptions of volcanic phenomena in Southern Italy. The paper focuses on these tensions in the account of his ascents of Vesuvius. It also explores the famous description of the nocturnal view from a window at the Royal Palace, where Goethe saw the active volcano for the last time; here a kind of balance finally seemed to be within reach.
机译:歌德在《 Italienische Reise》中将南方生活的某些方面称为“ Arcadian”,但事实证明他是景观特征方面的准确观察者。作为新兴地质科学的门徒,他三度爬上维苏威火山。然而,他对这座活跃的山峰的反应是模棱两可的:引起他作为矿物学家的深切好奇心的原因常常过于古怪和缺乏形式,无法满足他作为艺术家的要求。毕竟,歌德转向古典主义原则。这导致歌德对意大利南部火山现象的所有描述都产生了特殊的张力。本文着重阐述了他维苏威火山上升过程中的紧张关系。它还从皇宫的一个窗户上探索了著名的夜景视图,歌德最后一次在那儿看到了活火山。在这里似乎终于达到了一种平衡。

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