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A reputation: Steven Spielberg and the eyes of the world

机译：声誉：史蒂芬·斯皮尔伯格和世界的目光

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Steven Spielberg's immense popularity and cultural influence have been counterbalanced for many years by disdain from many critics, members of the Hollywood establishment, and elements of academia. In recent years, as Spielberg's seriousness as an artist has become inescapable, he has been increasingly accepted by many of those who previously rejected him. The author, whose 1997 biography of Spielberg challenged that opposition to the filmmaker, explores its fundamental sources and its lingering effects while discussing how and why Spielberg's reputation has been growing in academic circles. Younger academics seem to be less burdened by the cultural biases that still prevent some of their predecessors from admitting Spielberg into the canon. Spielberg's trajectory toward critical acceptance resembles that of Alfred Hitchcock, who also suffered from belittlement throughout most of his career because of his vast popularity, although Spielberg himself, as a young man, was ahead of the curve in recognizing Hitchcock as an artist. While the repetition of that dismaying pattern of ideologically based rejection leading slowly to acceptance indicates that academia still has difficulties in coming to terms with popular culture, the recent proliferation of sympathetic critical studies of Spielberg and courses on his work offers hope for the future.
机译：多年来，史蒂文·斯皮尔伯格（Steven Spielberg）的巨大声望和文化影响力被许多评论家，好莱坞组织成员和学术界人士所鄙视，从而抵消了这种影响。近年来，随着斯皮尔伯格（Spielberg）作为艺术家的严肃态度变得不可避免，他被许多先前拒绝他的人越来越多地接受。作者于1997年撰写了斯皮尔伯格（Spielberg）传记，向与电影制片人的对立挑战。较年轻的学者似乎较少受到文化偏见的负担，这些文化偏见仍然阻止他们的一些前任将斯皮尔伯格纳入经典。斯皮尔伯格的关键接受轨迹类似于阿尔弗雷德·希区柯克（Alfred Hitchcock），由于他的声望很高，他在整个职业生涯中也饱受贬低之苦，尽管斯皮尔伯格本人还是一个年轻人，在承认希区柯克成为艺术家方面处于领先地位。尽管反复出现的令人沮丧的意识形态拒绝行为缓慢地导致人们接受，这表明学术界仍然难以适应大众文化，但是最近对斯皮尔伯格的同情批判性研究及其工作路线的泛滥为未来提供了希望。

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