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首页> 外文期刊>New Review of Film and Television Studies >Art cinema and New Hollywood: multiform narrative and sonic metalepsis in Eternal Sunshine of the Spotless Mind
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Art cinema and New Hollywood: multiform narrative and sonic metalepsis in Eternal Sunshine of the Spotless Mind

机译：艺术电影院和新好莱坞：《一尘不染的永恒阳光》中的多种叙事和声波金属塑形术

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摘要

This paper will consider Michel Gondry's Eternal Sunshine of the Spotless Mind (2004) as an example of a trend in contemporary cinema in which complex narrative forms traditionally associated with international art cinema have become common in productions targeted at mass audiences. The multiform narrative of Eternal Sunshine of the Spotless Mind will be analyzed and situated in its relationship to art cinema, where multiform narratives have often been used with an internal-subjective mode of narration to represent character thought and perception. The paper will also explore the innovative use of sound in Eternal Sunshine of the Spotless Mind to navigate the numerous diegetic and ontological levels of its multiform narrative in a technique that I will call sonic metalepsis. I will argue that the use of sound bridges in Eternal Sunshine of the Spotless Mind to efface what are normally rigid diegetic boundaries constitutes an example of the narrative trope metalepsis. Finally, the paper will briefly explore some of the explanations offered as to why multiform narratives, which have been a part of the art cinema tradition since the early decades of the twentieth century, have recently become commercially viable.
机译：本文将考虑米歇尔·贡德里（Michel Gondry）的《永恒的阳光，一尘不染》（2004）作为当代电影趋势的一个例子，在这种趋势中，传统上与​​国际艺术电影相关的复杂叙事形式在针对大众观众的作品中已经很普遍。将分析“一尘不染的永恒阳光”的多种形式叙事，并将其置于与艺术电影的关系中，在这种关系中，多种形式的叙事经常与内部主观叙事一起被用来代表人物的思想和感知。本文还将探讨在“一尘不染的心灵的永恒阳光”中声音的创新用法，以一种我称之为声波成肌的技术来导航其多种形式的叙述的多种营养和本体论层面。我将争辩说，在“一尘不染的心灵的永恒阳光”中使用声桥来消除通常僵化的僵硬边界，这就是叙事性型金属僵硬症的一个例子。最后，本文将简要探讨为什么自20世纪几十年代以来就已成为艺术电影传统一部分的多种形式的叙事最近在商业上可行的原因的一些解释。

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