The Tale of the Rich Jazz Pianist

SETH COLTER WALLS

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The Tale of the Rich Jazz Pianist

机译：爵士爵士钢琴家的故事

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Jason moran is wise in a couple ofways. There's the brilliant-musician thing, what with his being equally adept at interpreting Thelonious Monk and Afrika Bambaataa. But then he also knows that Americans don't listen to much jazz piano today-never mind Bambaataa's early hip-hop. So Moran realizes his being named a MacArthur grant "genius" isn't necessarily going to make you sit up and pay attention to him if you hadn't already. He likens the problem of jazz to that of the three-star restaurant wanting to expand its client base. "But only a certain type of person goes there," he says. "Affluent, apparently, with a wide palate, and someone who wants to experiment with 'What is food? What can food be?' So then they wind up serving the same person over and over again."

机译：杰森·莫兰（Jason Moran）在几个方面都很明智。有一位杰出的音乐家，他同样擅长解释《 Thelonious Monk》和《 Afrika Bambaataa》。但是后来他又知道美国人今天不听太多爵士钢琴，所以不要介意Bambaataa早期的嘻哈音乐。因此，莫兰意识到自己被麦克阿瑟（MacArthur）授予“天才”的称号并不一定会让您坐起来并注意他（如果您还没有）。他将爵士乐的问题比作想要扩大客户群的三星级餐厅的问题。他说：“但是只有某种类型的人会去那里。” “显然，食物丰富，口感宽阔，有人想尝试一下'什么是食物？食物可以是什么？'因此，他们最终一次又一次地为同一个人服务。”

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《Newsweek》 |2010年第18期|p.54|共1页
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SETH COLTER WALLS;
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收录信息美国《化学文摘》(CA);
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The Tale of the Rich Jazz Pianist

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