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Patterns and Tonalities in Architecture and Music

机译:建筑和音乐的模式和色调

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摘要

In everyday life, the interdependence of any individual with her or his surrounding environment is self-evident. The subconscious consolidation of spatial orientation by the human being is fundamental to most activities. However, in artistic and aesthetically motivated works, creating a clear sense of spatial orientation is not always the artist's main intention. Especially in creative activities that are directly related to space and time, such as architecture and music, both spatial and tonal orientation are sometimes brought out, while at other times they are challenged. The use of what is called, in established musical terminology "tonality" and "atonality" and their equivalent ones in architecture, not only enriches the understanding of the regulating mechanisms that are similar in both activities, but helps to describe the means by which the designer of the architectural space determines the kind of interaction between the structured environment and its user.
机译:在日常生活中,任何与她或他周围环境的个人的相互依存是不言而喻的。人类存在的空间取向的潜意识巩固是大多数活动的基础。然而,在艺术和美学上的作品中,创造清晰的空间定位感并不总是艺术家的主要意图。特别是在与架构和音乐等空间和时间直接相关的创造性活动中,有时会带出空间和色调的方向,而在其他时候他们受到挑战。使用所谓的音乐术语“音调”和“太阳能”及其等同于架构中的产品,不仅丰富了对两个活动中相似的调节机制的理解,而且有助于描述这一切的方法架构空间的设计者确定了结构化环境与其用户之间的互动类型。

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