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Loose ends: the role of architecture in constructing urban borders in Tel Aviv-Jaffa since the 1920s

机译:松散的结局:自1920年代以来,建筑在特拉维夫-贾法角城市边界建设中的作用

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A border is an ideological socio-cultural construct by which communities define and defend their territory. But what are its formal and spatial configurations? How is the border architecturally conceived and perceived? This paper investigates these questions through analysis of three border typologies -the door, the bridge and the gateway - fostering a new discussion of architecture as a border-making practice. It also relates to how architects and planners contribute to conflict, and to ethnic and physical barrier-making by not being fully aware of the cultural and political implications of their actions. These ideas are discussed in the context of Israel/Palestine and the dynamic of the demarcation and separation between Israelis and Palestinians since the early twentieth century. It focuses specifically on the border zone between Tel Aviv and Jaffa, the Menshiyeh quarter. By examining border-making from architectural and urban perspectives, the paper expands the political-historical discussion of Israeli boundaries and clarifies the relationships between conflict (destruction), architecture (construction) and the everyday life of groups and individuals in today's world of modern nationalism.
机译:边界是一种意识形态的社会文化构造,社区可以借此界定和捍卫自己的领土。但是它的形式和空间配置是什么?边界在架构上是如何构想和感知的?本文通过分析三种边界类型(门,桥梁和门户)来研究这些问题,从而促进了对建筑作为边界制定实践的新讨论。它还涉及到建筑师和规划师如何通过不充分了解其行为的文化和政治影响来促成冲突以及种族和物质障碍的形成。自二十世纪初以来,在以色列/巴勒斯坦以及以色列人与巴勒斯坦人之间的分界和隔离的动态中讨论了这些想法。它专门针对特拉维夫和孟市耶区贾法之间的边界地区。通过从建筑和城市的角度研究边界的形成,本文扩展了对以色列边界的政治历史讨论,并阐明了冲突(破坏),建筑(建设)与当今现代民族主义世界中群体和个人的日常生活之间的关系。 。

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