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Like many book authors, I have mixed feelings about working with publishers. It's wonderful to be published, of course, particularly at the start, but once the book has been produced and printed and (if you are lucky) given a routine amount of publicity, it's out there on its own. This is all that most publishers can afford, especially today. The only thing that will change this bare-bones support is an immediate hit or the prospect of one, and few books published in any category, including design, are massive hits. All authors suffer the same anxiety when visiting bookstores to see whether their publications are on the shelves.Discovering that they're in stock brings a moment of pleasure and relief; a glaring void where a cherished project should be causes dismay.
机译:像许多书作家一样,我对与出版商合作也有不同的看法。当然,特别是在开始时出版是很棒的,但是一旦完成了本书的制作和印刷,并且(如果有幸的话)进行了例行的宣传,它就可以独立出版了。这是大多数发布者所能承受的,尤其是在今天。唯一能够改变这种准系统支持的因素是立竿见影或一发不可收拾,在包括设计在内的任何类别中出版的书籍都很少。所有的作者在访问书店以查看其出版物是否都上架时都遭受同样的焦虑。一个值得珍惜的项目所造成的巨大空白会令人沮丧。

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  • 来源
    《Print》 |2012年第3期|p.38-39|共2页
  • 作者

    Rick Poynor;

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