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The Cambridge Companion to Literature and Religion

机译：剑桥文学与宗教同伴

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摘要

Acts of reading take many forms, not least of all written and oral, and they are particularly interesting and complex where religion and literature cross over. Immediately, we are confronted with definitions of "religion" and "literature", as well as making sense of where religious texts (scriptural, liturgical and so forth) are themselves "literary" (in the sense that they can be seen as narratives or poetry or recital material). Then many ways exist in which literature (such as novels and poetry) draw on religious imagery and language: in the West we think of Milton and Herrick, for example. Even these definitions need expansion - there are literary works that deal with exile and repentance, journeys of the spirit and a search for meaning, all typical of many religious works and traditions. This confluence of two strands is the focus of this new companion, a well-established series where other possibly relevant works here include guides to allegory and Utopias, medieval mysticism and textual scholarship and Piers Plowman. Examining such acts of reading invite us to look at meaning and interpretation, authority and religious practices and a plurality of approaches to the epistemic and the true.
机译：阅读行为有多种形式，尤其是书面和口头形式，在宗教和文学交叉的地方，它们尤其有趣和复杂。紧接着，我们面对“宗教”和“文学”的定义，并弄清宗教文本（文字，礼拜仪式等）本身是“文学”的意义（从某种意义上讲，它们可以被视为叙事或诗歌或朗诵材料）。然后，文学（例如小说和诗歌）利用宗教图像和语言的方式有很多：例如在西方，我们想到米尔顿和赫里克。即使这些定义也需要扩展-有些文学作品涉及流亡和and悔，精神之旅和对意义的追求，这些都是许多宗教作品和传统的典型代表。两股融合是这个新伴侣的重点，这是一个行之有效的系列，其中其他可能相关的作品包括寓言和乌托邦，中世纪神秘主义和文字研究指南以及Piers Plowman。检查这种阅读行为，使我们着眼于意义和解释，权威和宗教习俗以及认识论和真实的多种方法。

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