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Pricing revolution: From abstract expressionism to pop art

机译:定价革命:从抽象表现主义到波普艺术

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Expressionism famously shifted the center of the advanced art world from Paris to New York. The triumph of Abstract Expressionism, and its subsequent abrupt decline in the face of Pop Art, are familiar tales in the literature of art history. Econometric analysis of evidence from auction markets now provides a basis for dating precisely the greatest innovations of the leading Abstract Expressionists, and of the leaders of the cohort that succeeded them. These data demonstrate how fundamentally each of these revolutions affected the nature of painting, by showing how greatly the creative life cycles of the experimental old masters of Abstract Expressionism differed from those of the conceptual young geniuses who followed them. The innovations of the Abstract Expressionists were based on extended experimentation, as they searched for novel visual images; Pop artists rejected this open-ended search for personal forms, and instead treated painting as the impersonal transcription of preconceived ideas. Accumulation of experience was critical for the Abstract Expressionists, who produced their most valuable art late in their lives, whereas lack of experience allowed the next generation the freedom to imagine radically new approaches, and they produced their most valuable art early in their careers.
机译:表现主义著名地将先进艺术世界的中心从巴黎转移到纽约。抽象表现主义的胜利及其随后在波普艺术面前的突然衰落,是艺术史文学中熟悉的故事。如今,对拍卖市场证据的计量经济学分析为准确地与领先的抽象表现主义者以及继任的抽象表现主义者的伟大创新打交道提供了基础。这些数据通过展示实验性抽象表现主义的老大师的创作生命周期与跟随它们的概念上年轻的天才之间的巨大差异,证明了每一次革命从根本上影响了绘画的本质。抽象表现主义的创新是基于扩展的实验,他们寻求新颖的视觉图像。流行艺术家拒绝这种对个人形式的开放式搜索,而是将绘画视为先入为主的观念的非个人化的复制。经验的积累对于抽象表现主义者至关重要,他们在生命的后期才创作出最有价值的艺术,而经验的缺乏使下一代可以自由地想象出全新的方法,并且他们在职业生涯的早期就创作出了最有价值的艺术。

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