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Faddists, Enthusiasts and Canadian Divas: Broadcasting Quotas and the Supply Response

机译:平民主义者,运动爱好者和加拿大女歌手:广播配额和供应响应

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摘要

This paper constructs a model of the recorded music market to investigate the consequences of local content requirements in broadcasting for the internationalization of domestic music. It models the entry decisions of bands, the contracting decisions of record companies, the airplay decisions of radio stations and the radio listening and recording purchasing decisions of consumers. The paper shows that a local content quota leads, perversely, to the increased internationalization of domestic music. A quota that also requires increased broadcasting of new music yields an additional welfare loss but does nothing to a record company's incentives to sign up new bands.
机译:本文构建了唱片音乐市场模型,以调查本地内容要求对广播对国内音乐国际化的影响。它对乐队的进入决策,唱片公司的签约决策,广播电台的播音决策以及广播收听和记录消费者的购买决策进行建模。该文件表明,本地内容配额反过来导致家庭音乐国际化的增加。配额也需要增加新音乐的广播,这会带来额外的福利损失,但对唱片公司签约新乐队的激励没有任何作用。

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  • 来源
    《Review of international economics》 |2015年第2期|404-424|共21页
  • 作者单位

    Australian Natl Univ, Coll Business & Econ, Res Sch Econ, Canberra, ACT 0200, Australia;

    Univ So Calif, Dept Econ, Dornsife Coll Letters Arts & Sci, Los Angeles, CA 90089 USA;

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