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Touching with Light, or, How Texture Recasts the Sensing of Underground Water

机译：用光触摸，或者纹理如何重新恢复地下水的传感

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This paper is an ethnographic examination of the early social life of a project to map Costa Rica's aquifers using LandSat imagery and a specialized algorithm. The project aims to make subterranean formations accessible for public agencies mediating recent environmental conflicts over underground water, which have been diagnosed as the country's first "water war." I analyze the presentation to the public of this project and the technology it uses to show how vision and touch are conceptual resources that people use to describe the technicalities of satellite imagery. Attending to the semiotic and technical power of vision and touch requires a nonessentialist understanding of the senses. It requires moving away from a narrow understanding of sensing as embodied, phenomenological practice. Focusing on the role of texture as that which operates in the interstices of vision and touch, I propose going beyond panoptic imaginaries in order to grasp the diverse social lives that technologies such as satellite imaging have.
机译：本文是使用Landsat Imagery和专用算法将哥斯达黎加含水层映射哥斯达黎加的含水层的项目的民族教学审查。该项目的旨在使公共机构的地下层制作，调解最近的环境冲突，该区域在地下水中被诊断为该国的第一个“水战”。我分析了该项目的公众和它用于展示愿景和触摸的技术是人们用来描述卫星图像的技术性的概念资源。参加符号的符号和技术力量和触摸需要对​​感官的非关单符。它要求远离对体现，现象学实践的狭隘理解。专注于纹理的作用，作为在视觉和触摸的间隙中运作的，我建议超越Panoptic Imaginaries，以便掌握各种社会生活，卫星成像等技术。

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