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NOTES ON REGGAE MUSIC, DIASPDRA AESTHETICS, AND CHINESE JAMAICAN TRANSMIGRANCY: THE CASE OF VP RECORDS

机译:关于雷鬼音乐,迪斯普达美学和中国牙买加血腥性的笔记:VP录音的案例

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摘要

The essay investigates the effects of diasporic movement on the aesthetics, politics, and economics of reggae. Focusing on the involvement of Chinese Jamaicans in the development of reggae, the essay advances the argument that the social and historical factors that condition Chinese Jamaican migration also determine the nature of their impact on reggae. The significant numbers of Chinese Jamaicans who have served as producers, sound system owners, band managers, and distributors reflect the roles that Chinese Jamaicans play as merchants and middlemen in Jamaican society as well the high degree of transnational mobility and effective familial networks they have developed. A series of videotaped interviews with the Chinese Jamaican family that started and currently runs VP Records, a major international distributor of reggae music, serves as the case study from which the main conclusions of the essay are extrapolated.
机译:本文研究了渗流运动对雷鬼音乐的美学,政治和经济学的影响。本文着眼于中国牙买加人参与雷鬼音乐的发展,提出了这样一个论点,即制约中国牙买加人移民的社会历史因素也决定了他们对雷鬼音乐影响的性质。担任制作人,音响系统所有者,乐队经理和发行人的中国牙买加人数量众多,反映了中国牙买加人在牙买加社会中作为商人和中间人的角色,以及他们所发展的高度跨国流动性和有效的家庭网络。作为案例研究,对中国牙买加家庭进行了一系列录像采访,这些采访开始并目前运行着VP Records,后者是雷鬼音乐的主要国际发行商,从中可以推断出本文的主要结论。

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