“So High You Can't Get Over it, So Low You Can't Get Under it”: Carceral Spatiality and Black Masculinities in the United States and South Africa

Rashad Shabazz

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“So High You Can't Get Over it, So Low You Can't Get Under it”: Carceral Spatiality and Black Masculinities in the United States and South Africa

机译：“如此之高，你无法克服它，如此之低，你无法摆脱它”：美国和南非的患癌空间和黑人男性气质

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Carceral or prison space and the techniques that make prison punishment possible shape Black living and working space and in turn influence Black masculine performance. This essay uses the Robert Taylor Housing Projects—a notorious project on Chicago's South Side—and South Africa's mining compounds, as case studies. It exhumes the carceral logic that underwrote these spaces by highlighting how the project and the mine compound drew on containment, policing, surveillance, and restrictive architecture to fix Blacks spatially. It also explores how the prisonization of these quotidian spaces profoundly shaped Black male subjectivity, thus giving rise to a carcerally inflected Black masculinity, made visible through the performance of prison masculinities, embodiment of carceral aesthetics, and transference of sexual politics from prisons to other carceral sites.

机译：监狱或监狱空间以及使监狱惩罚成为可能的技术塑造了布莱克的生活和工作空间，进而影响了布莱克男性的表现。本文以案例研究为例，使用了罗伯特·泰勒住房项目（Robert Taylor Housing Projects）（这是芝加哥南部的一个臭名昭著的项目）和南非的采矿场。它通过强调项目和矿山如何利用围堵，维持治安，监视和限制性架构来在空间上固定黑人，从而激发了破坏这些空间的逻辑。它还探讨了这些quotidian空间的监禁如何深刻地塑造了黑人男性的主观性，从而产生了受拐弯影响的黑人男性气质，通过监狱男性气质的表现，尸体美学的体现以及性政治从监狱向其他尸体的转移而可见网站。

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《Souls》 |2009年第3期|p.276-294|共19页
作者
Rashad Shabazz;
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正文语种 eng
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关键词
Black masculinity; carceral space; housing projects; prison literature; racism;

机译：黑色男子气概;cer腔住房项目;监狱文献;种族主义;

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“So High You Can't Get Over it, So Low You Can't Get Under it”: Carceral Spatiality and Black Masculinities in the United States and South Africa

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