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首页> 外文期刊>Studies in conservation >Material Characterization, Stratigraphy, Textures, and Painting Techniques of the Mural Painting The Allegory of the Industrial Development of Sao Paulo by Fulvio Pennacchi
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Material Characterization, Stratigraphy, Textures, and Painting Techniques of the Mural Painting The Allegory of the Industrial Development of Sao Paulo by Fulvio Pennacchi

机译：壁画的材料表征，地层学，纹理和绘画技术Fulvio Pennacchi对圣保罗工业发展的寓言

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摘要

This work presents a study of samples of the mural painting The Allegory of the Industrial Development of Sao Paulo (Alegoria ao Desenvolvimento Industrial Paulista), made in the city of Sao Paulo, Brazil, by the artist Fulvio Pennacchi. Using transmitted light petrographic microscopy, scanning electron microscopy coupled with energy dispersive X-ray spectrometry, and X-ray fluorescence, the stratigraphy, the textures, the mineralogy, and the chemical compositions of the mural were established; therefore the painting techniques, pigments, and materials applied by the artist were identified. The mural was painted with the fresco technique and variations. This technique involves the use of materials of mineral origin, both in the support and for the pigments. About the artist's relevance, Fulvio Pennacchi is considered an important muralist of his time, being one of the pioneers in the production of frescoes in Brazil. The mural, measuring approximately 11 x 6 m, painted in 1954, was removed from where it was originally made, in consequence of a fire that affected the place. Specialized engineers transported it, and today it is stored awaiting restoration. The data presented here can support the process of restoration of the mural, as well as contribute to the improvement of protocols for the analysis of works of art, and to the historical record of mural painting techniques over time.
机译：这项工作是对壁画《圣保罗工业发展的寓言》（Alegoria ao Desenvolvimento Industrial Paulista）的样本进行的研究，该绘画是由艺术家Fulvio Pennacchi在巴西圣保罗市制造的。使用透射电镜，扫描电子显微镜，能量色散X射线光谱法和X射线荧光，建立了壁画的地层，质地，矿物学和化学成分。因此，确定了艺术家使用的绘画技术，颜料和材料。壁画是用壁画技术和变体绘制的。该技术涉及在载体和颜料中都使用矿物来源的材料。关于艺术家的相关性，富尔维奥·彭纳奇（Fulvio Pennacchi）被认为是他那个时代的重要壁画家，是巴西壁画生产的先驱之一。该壁画于1954年作画，尺寸约为11 x 6 m，是由于一场大火影响了该地方而被从其最初制作的地方移走了。专业的工程师运输了它，今天将其存储起来，等待恢复。此处提供的数据可支持壁画的修复过程，并有助于改进艺术品分析协议，以及随着时间的推移壁画技术的历史记录。

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