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Real-time? Refraining temporal consciousness in time-based and interactive media

机译：即时的？在基于时间的交互式媒体中抑制时间意识

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摘要

The experience of time and temporally extended events is a fundamental property of mind, and of time-based media arts. In dealing with properties of time, does the operational logic of contemporary media production tools cohere with philosophical views on the experience of time? Thisarticle considers a range of views on the phenomenal experience of time as they relate to the production of time-based media. Embedded within our production technologies, the artist is faced with a new philosophical instrument: the production timeline. The timeline utility in most time-basedmedia software (and non-digital precursors) adopts the cinematic model as its operating metaphor; a series of frames, assembled one after the other in sequence. But the timeline brings new temporal complications such as reversibility, hierarchy and modifiability. The timeline also contortstime into a spatialized dimension, represented as a linear vector within the software interface. Automatic adoption of the linear timeline and the frame as the base unit of temporal thinking is problematic. J. M. E. McTaggart’s argument for the unreality of time based on contradictionswithin a range of possible temporal modal logics is compared with approaches to animation and editing software, and also interactive media software and their unique approach to time as potential events is considered.
机译：时间和时间上的扩展事件的体验是思想以及基于时间的媒体艺术的基本属性。在处理时间属性时，当代媒体制作工具的操作逻辑是否与对时间经验的哲学观点相融合？本文考虑了与基于时间的媒体的产生有关的时间非凡体验的一系列观点。嵌入我们的生产技术中，艺术家面临着一种新的哲学手段：生产时间表。大多数基于时间的媒体软件（和非数字前驱软件）中的时间轴实用程序都采用电影模型作为其操作隐喻。一系列框架，一个接一个地依次组装。但是时间轴带来了新的时间复杂性，例如可逆性，层次结构和可修改性。时间线还将时间扭曲为空间维度，在软件界面内表示为线性向量。自动采用线性时间轴和框架作为时间思考的基本单元是有问题的。 J. M. E. McTaggart关于在一系列可能的时间模态逻辑中基于矛盾的时间不真实的论点与动画和编辑软件的方法进行了比较，并且还考虑了交互媒体软件及其考虑到潜在事件的独特时间方法。

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