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Broken Bodies/Inquiring Minds: Women in Contemporary Transnational TV Crime Drama

机译:破碎的身体/探究的心态:当代跨国电视犯罪剧中的女性

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摘要

This special issue concentrates on a dominant trend in contemporary transnational crime television: quality dramas featuring serial criminals who break the bodies/psyches of young women or children, thereby attracting the inquiries of female detectives who have suffered trauma themselves. This trend has generated resources, industrial partnerships, avid viewers, and, importantly for the authors here, feminist commentary across continents. We reframe the debate over whether these shows are feminist or misogynist by exploring staples of transnational language that underwrite their popularity in disparate national markets. In fact, we address the paradoxical gender-based violence and female empowerment at their core as crucial to their transnational legibility by tracking recurring elements that circulate a gendered and raced lingua franca rooted in fundamentals of media aesthetics: strategies of storytelling and genre, modes of perception, and the production of affect. Ultimately, these programs raise questions about cultural currencies of televised feminism in the digital era.
机译:本期专刊着眼于当代跨国犯罪电视的主流趋势:高质量的电视剧,讲述连环犯罪分子破坏年轻妇女或儿童的身体/心理,从而吸引了遭受过创伤的女侦探的询问。这种趋势已经产生了资源,产业合作伙伴关系,热情的观众,并且,对于这里的作者而言,重要的是,横跨各大洲的女权主义评论也不断涌现。我们通过探索在不同的国家市场中流行起来的跨国语言的主要形式,重新组织关于这些节目是女权主义还是女权主义者的辩论。实际上,我们通过追踪循环出现在媒体美学基础上的性别和种族通用语的反复出现的因素,来解决基于悖论的基于性别的暴力和女性赋权对他们的跨国可读性至关重要,这些反复出现的因素源于媒体美学的基础:叙事策略和体裁策略,知觉和情感的产生。最终,这些程序引发了有关数字时代电视女性主义文化货币的质疑。

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