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POETRY IS MORE PHILOSOPHICAL THAN HISTORY: ARISTOTLE ON MIMÊSIS AND FORM

机译:诗歌比历史更重要的哲学思想:隐喻与形式

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For this reason they are on a level between abstraction and common sense experience and are present in poems as implicit 'embodied' properties . . . not explicit, let alone propositional, elements.'' James Redfield writes that the plot is the story conceived ... in terms of relations between . . . causes and consequences; for this reason it shows us the internal logic of the events represented and conveys some universal pattern of human probability or necessity. The philosopher starts with what is first for us and arrives at what is first in itself, that is to say, he moves from the domain of the sensible to that of the intelligible,147 and uncovers archai that are universal in the strict sense of the term.118 Given that he attains conceptual articulations of the essential nature of things, and of their relations, he is in the position to offer rational accounts of their nature, and is thus supremely qualified to teach.
机译:因此,它们处于抽象和常识经验之间的水平,并且在诗歌中以隐含的“体现”属性存在。 。 。詹姆斯·雷德菲尔德(James Redfield)写道,情节是根据...之间的关系构想的故事。 。 。原因和后果;因此,它向我们展示了所代表事件的内部逻辑,并传达了人类概率或必然性的某种普遍模式。哲学家从对我们而言首先是什么开始,而其本身就是首先是什么,这就是说,他从明智的领域转向可理解的领域,147并从严格意义上揭示了普遍存在的古迹。 term.118鉴于他对事物的本质和事物之间的关系有概念上的阐述,因此他有能力对事物的本质做出理性的解释,因此非常有资格任教。

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  • 来源
    《The Review of Metaphysics》 |2010年第2期|p.303-336|共34页
  • 作者

    Silvia Carli;

  • 作者单位

    Correspondence to: SiMa Carli, Philosophy Department, Xavier University, 3800 Victory Parkway, Cincinnati, OH 45207.;

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