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The Next Dimension

机译:下一维

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摘要

The lights dim in the screen-ing room. Suddenly, the doomed Titanic fills the screen-but not the way I remember in the movie. The luxury liner is nearly vertical, starting its slide into the black Atlantic, and Leonardo DiCaprio is hanging on for life, just like always. But this time, I am too. The camera pans to the icy water far below, pulling me into the scene-the sensation reminds me of jerking awake from a dream-and I grip the sides of my seat to keep from falling into the drink.rnMost of us have seen the top-grossing film of all time. But not like this. The new version, still in production, was remade in digital 3-D, a technology that's finally bringing a true third dimension to movies. Without giving you a headache.rnHad digital 3-D been available a dozen or so years ago when he shot Titanic, he'd have used it, director James Cameron tells me later. "But I didn't have it at the time," he says ruefully. "Certainly every film I'm planning to do will be in 3-D."
机译:放映室的灯光昏暗。突然,注定要失败的《泰坦尼克号》充满了银幕,但不像我在电影中记得的那样。豪华班轮几乎是垂直的,开始滑入黑色大西洋,莱昂纳多·迪卡普里奥(Leonardo DiCaprio)像往常一样继续生活。但是这次,我也是。相机平移到下方的冰冷的水面,将我拉入场景-这种感觉使我想起了梦中突然醒来的感觉-我紧握着座位的两侧以防止落入饮料中.rn我们大多数人都看到了顶部-历来很卖座的电影。但不是这样。仍在生产中的新版本已用数字3-D进行了重新制作,该技术最终为电影带来了真正的三维效果。导演詹姆斯·卡梅隆(James Cameron)后来告诉我,十几年前,当他拍摄《泰坦尼克号》时就已经可以使用数字3-D了。 “但是当时我还没有,”他沮丧地说道。 “当然,我计划制作的每部电影都是3D的。”

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  • 来源
    《Time》 |2009年第12期|545862|共3页
  • 作者

    JOSH QUITTNER;

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