Transmitting Avant-garde Art: Post-impressionism in a Dublin Context

Roisin Kennedy

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Transmitting Avant-garde Art: Post-impressionism in a Dublin Context

机译：传播前卫艺术：都柏林语境中的后印象派

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This essay explores how the London art press affected debates on avant-garde art in Ireland prior to World War Ⅰ. The emergence of new specialist art periodicals, such as The Studio, The Connoisseur, and The Burlington Magazine, provided access to metropolitan ideas on art for those seeking an alternative to the dominant discourses in their own regions or nascent nations. While the significance and impact of Roger Fry's (1866-1934) groundbreaking post-impressionist exhibitions of 1910-1912 have been extensively explored, it is often forgotten that versions of these exhibitions were also shown in Dublin at a pivotal moment in Ireland's history. Taking as its case study the staging of Exhibition of Works by Post-Impressionist Painters (1911) and Modern French Pictures (1912) at the United Arts Club Dublin, this essay examines the critical contexts around them. It focuses on Ellen Duncan (1850-1937), the curator and instigator of both exhibitions, who began her foray into visual art through her contributions to the art press. Duncan defended the exhibitions in the Irish press, advocating the individuality and freedom of avant-garde culture. "Old forms must become outworn," she asserted. This essay also explores how the overturning of traditional ideas found in post-impressionist art was for some a radical model for the invention of a New Ireland.

机译：本文探讨了伦敦艺术出版社如何影响第一次世界大战前爱尔兰前卫艺术的争论。新的专业艺术期刊的出现，例如The Studio，The Connoisseur和The Burlington Magazine，为那些寻求在自己的地区或新生国家中取代主流话语的人提供了接触大都市艺术的机会。罗杰·弗莱（Roger Fry，1866-1934）开创性的1910-1912年后印象派展览的意义和影响已得到广泛探讨，但人们常常忘记在爱尔兰历史上举足轻重的时刻，都柏林也展示了这些展览的版本。以事后印象派画家（1911年）和《现代法国图片》（1912年）在都柏林联合艺术俱乐部举办的展览为例，研究了它们周围的关键背景。它的重点是两个展览的策展人和策展人艾伦·邓肯（Ellen Duncan，1850-1937年），她通过对艺术出版社的贡献而开始涉足视觉艺术。邓肯（Duncan）为爱尔兰媒体的展览辩护，主张前卫文化的个性和自由。她断言：“旧的形式必须变得陈旧。”本文还探讨了在后印象派艺术中发现的传统观念的颠覆对于新爱尔兰发明的某种激进模式是如何产生的。

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《Visual Resources》 |2015年第2期|61-73|共13页
作者
Roisin Kennedy;
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University College Dublin;

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正文语种 eng
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Avant-garde; Cultural Reception; Exhibitions; Dublin; Modernism; 'Nationalism; Post-impressionism; Ellen Duncan (1850-1937);

机译：前卫;文化接待;展览;都柏林现代主义'民族主义;后印象派;艾伦·邓肯（1850-1937）;

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7. Transmitting Avant-garde Art: Post-impressionism in a Dublin Context [O] . Kennedy Roisin Askale 2015

机译：传播前卫艺术：都柏林语境中的后印象派

Transmitting Avant-garde Art: Post-impressionism in a Dublin Context

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