Playing Baroque Lines through a Museum Landscape with Deleuze, Guattari, and Klee

Jonathan Eakle; Erin Bailey

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Playing Baroque Lines through a Museum Landscape with Deleuze, Guattari, and Klee

机译：演奏巴洛克线通过一个博物馆景观德勒兹的“官,克利

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This article uses concepts and ontologies drawn from Deleuze and Guattari by assuming a complex of lines inspired by the paintings of Paul Klee in an art museum show. The post-qualitative approach is by way of Baroque mechanics and is comprised of three types of lines that convey the events: crack lines, break lines, and lines of escape (or leakage). An intent is to show how philosophies, art, and life merge with lines of animals, colors, and musical refrains during and beyond the Klee exhibition.

机译：本文使用概念和本体从德勒兹和“假设一个复杂行受保罗克利的作品在一个艺术博物馆。方法是通过巴洛克力学和由三种线传达事件:裂纹、引出线、尺寸线、断裂线、线逃避(或泄漏)。哲学、艺术和生活与行合并在和动物、颜色和音乐没有超出了克利展览。

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《Qualitative Inquiry》 |2021年第5期|567-579|共13页
作者
Jonathan Eakle; Erin Bailey;
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作者单位

The George Washington University, Washington, DC, USA;

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原文格式 PDF
正文语种英语
中图分类 TB-404;
关键词
Museums; lines; Trefoilart museumspaintingdata queryingOntology;

机译：queryingOntology;

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Playing Baroque Lines through a Museum Landscape with Deleuze, Guattari, and Klee

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