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首页> 外文期刊>BMJ: British medical journal >Justin Howse
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Justin Howse

机译：贾斯汀Howse

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The year was 1970, and Justin Howse was examining a teenage girl auditioning for the Royal Ballet School in London. When Howse, orthopaedic consultant to the Royal Ballet, checked her feet for strength and flexibility, he did not approve. He believed that the root cause of injury to dancers was faulty technique. "He was dressed in his usual grey suit and extremely frightening," recalls Moira McCormack, the girl who was auditioning and who now is head of physiotherapy at the Royal Ballet. "He ordered me to 'point' my feet properly." And she adds: "I have been showing young dancers to do the same ever since I qualified as a physiotherapist." McCormack is just one of many clinicians working today with dancers who have been influenced by Howse's work. As a doctor to dancers, Howse's primary focus was to prevent injury. If injury did occur, he advocated proper rehabilitation to avoid re-injury. "He felt that dancers needed specialist knowledge and treatment and was the first in this country to attempt to provide it," says McCormack. "He felt that prevention of injury was paramount and firmly supported the contribution that physiotherapists could make to this." In 1972, Howse shared his expertise in a landmark paper entitled "Orthopaedists aid Ballet."1 In the paper, he states categorically: "All injuries ... are the result of faulty dance technique." And he adds: "In an effort to prevent injuries, all ballet teachers should have a simple basic knowledge of anatomy to enable them to understand more fully and appreciate an indi-vidual student's difficulties." David Weiss, an orthopaedic surgeon at New York University and associate director of the Harkness Center for Dance Injuries, says Howse's paper discussed the athletic nature of dance, the types of injuries that could be sustained from neck to foot, the methods of treatment, and the psychological aspects of rehabilitation. "This was the first report of this nature in the literature," says Weiss, who in 1985 spent time observing Howse's methods with dancers. According to Weiss, Howse thought that "a surgical procedure was not necessarily the answer" for a dancer's injury.
机译：那是1970年,和贾斯汀Howse检查一个十几岁的女孩皇家芭蕾舞团的试镜在伦敦的学校。皇家芭蕾舞顾问检查她的脚强度和灵活性,他没有批准。他认为受伤的根源舞者是错误的方法。他通常的灰色西装和非常可怕。”莫伊拉麦科马克回忆,那个女孩是谁试镜,谁现在是理疗在皇家芭蕾舞。正确的脚。”年轻的舞蹈演员们展示给自从我做同样的事情合格的理疗师。”只是今天许多临床医生的工作之一舞者一直受到Howse的工作。作为医生的舞者,Howse的主要焦点防止受伤。提倡适当的康复,以避免re-injury。专业知识和治疗的第一次在这个国家试图提供它,”麦考马克说。受伤是派拉蒙和坚定支持物理治疗师可以贡献这个。”里程碑式的论文题为“整形外科医师的援助芭蕾舞。“所有的伤害……技术。”伤害,所有芭蕾舞老师都应该有一个简单的解剖学的基本知识,使他们更为全面地了解和欣赏indi-vidual学生的困难。”纽约大学的骨科医生哈克尼斯中心副主任舞蹈损伤,Howse的论述了说体育的本质跳舞,损伤的类型从脖子到脚,可以持续的方法治疗,心理上的方面的康复。这种性质的报告文学,”说维斯,他在1985年花时间观察Howse方法与舞者。认为“手术不是一定是回答“一个舞者的伤害。

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