An NCECA Concurrent Exhibition Pittsburgh Cultural Trust

Vlad Basarab

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An NCECA Concurrent Exhibition Pittsburgh Cultural Trust

机译：一个并发展出NCECA匹兹堡文化信任

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Ceramic objects are some of the oldest cultural relics in the world.Clay as a material is the key to understanding our history and ceramic shards remind us that things do not stay the same and might be imperfect,fragile,futile-resembling the human condition.The shard retains in its nature the shattering of the whole,and the exhibition Together/Apart pondered the incomplete-both made and unmade.Using installations,video and objects,the artists juxtapose harmony and disharmony,beauty and decay.Through deconstruction,they set up environments and scenarios for reconstructing history and memory.Art becomes tangible,real,while history vanishes and becoming fiction.Time is the main concept in all the work,whether in immediate change,or the timelessness of matter and the shifting nature of materials.

机译：陶瓷对象是最古老的文化世界上的文物。了解我们的历史和陶瓷碎片提醒我们,不保持不变的东西可能是不完美的,脆弱的,futile-resembling人类的状况。整个的粉碎,和展览在一起/ incomplete-both分开考虑和恢复原状。对象,艺术家并列和谐不和谐、美丽和腐烂。解构主义,他们建立环境和重建历史和场景内存。消失,成为小说。在所有的工作概念,是否立即改变,或物质的永恒改变材料的性质。

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《Ceramics:Art and Perception》 |2019年第111期|36-39|共4页
作者
Vlad Basarab;
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正文语种英语
中图分类管道运输;
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Comprehension; artist; remindingEnvironmentsThingMatterNonprofit Organizations;

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An NCECA Concurrent Exhibition Pittsburgh Cultural Trust

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