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Process and Presence: Art and Disability

机译:过程和存在:艺术和残疾

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Whenever I've described an art exhibition as accessible, I usually just mean that it's pleasantly unburdened by the tedious anti-magic of philosophic, academic pretention which seems to actively try to make art incomprehensible to the viewer. But the exhibition Process and Presence: Contemporary Disability Sculpture offered an entirely different meaning to the term in showcasing work by artists with disabilities, and displaying it in such a way as to be, quite literally, physically accessible to anyone. In addition to heightening our awareness of the disabled community, the show offered innovative suggestions for how to make the museum experience more inclusive for the disabled and, by extension, other routine tasks that most of us take for granted, like simply navigating a doorway, an ATM machine, or a set of stairs.
机译:每当我形容一个艺术展览访问,我通常只是意味着它愉快地乏味anti-magic坦白心事哲学的学术pretention似乎积极尝试使艺术难以理解查看器。存在:当代残疾雕塑提供了一个完全不同的意义在展示残疾艺术家,和显示它以这样一种方式,相当字面上,任何人都能使用。除了提高我们的意识残疾人社区,提供创新建议如何让博物馆体验残疾人更具包容性,扩展,其他大多数人的常规任务理所当然,就像简单的导航门口,一个自动提款机,或一组楼梯。

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