Prue Yenebles: Involving form in a domestic landscape

Alison Britton; Ceramics:Art and Perception group

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Prue Yenebles: Involving form in a domestic landscape

机译：普鲁Yenebles:涉及在国内形成景观

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Imet Prue Venables when she was a student on the Harrow Pottery course in the early 11980s, when I was invited by the course director Jerome Abbo to teach one day a week. did not teach her ceramics -1 was the wrong sort of potter to be employed in the clay studios, where the wheel was still the main focus. But I did run writing projects with the students and drawing workshops alongside Andrew Greaves. It was a period of creative expansion, when the course was broadening its interests beyond the bulk production of handmade tableware that had been its emphasis in the 1960s and 1970s.

机译：Imet普鲁维纳布尔斯在当她还是个学生耙陶器在11980年代早期,当我被邀请的课程主管杰罗姆Abbo教一个星期只上一天班。1是错误的波特从事粘土工作室,轮子仍然是主要的焦点。学生们一起和绘画工作坊安德鲁·格里夫斯。扩张,扩大课程时利益超出了手工的批量生产餐具,其重点在1960年代和1970年代。

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《Ceramics:Art and Perception》 |2019年第114期|90-99|共10页
作者
Alison Britton; Ceramics:Art and Perception group;
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正文语种英语
中图分类管道运输;
关键词
batch production; Domestic; TABLEWAREStudiosPotteryStudentsWheelsgreavePOTTER;

机译：批量生产;国内;TABLEWAREStudiosPotteryS;

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Prue Yenebles: Involving form in a domestic landscape

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