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Juris Bergins: Creative work as a search for identity

机译：法学博士的祈祷:寻找创造性的工作身份

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Juris Bergins, born and raised in Riga, the capital of Latvia, did not come to ceramics by a direct route. He first studied painting at the Janis Rozentals Art High School in Riga, and later, design at the Art Academy of Latvia. As he began his artistic journey, the young artist tried various areas of creative activity, but found his true calling in ceramics. He displayed his first ceramic works, dishes and vases with overglaze decoration as well as a painted toilet, in 1987 at an exhibition at the "Jana seta" Gallery in the Old Town of Riga. It was the success of this show that led Bergins to develop his individual style that produced a stand-out series of works at the 1989 exhibition held at the Dzintari House of Artists in Jurmala. Strange as it may seem, it was actually an advantage that Bergins had not passed through an academic programme of ceramics, as he was protected from cliches and taboos arising from a traditional ceramics education. The search for his own creative identity coincided with the time of an historical breakthrough: Gorbachev's policy of liberalisation (perestroika) in the Soviet Union and the 'singing revolution' of the Baltic republics (Estonia, Latvia, Lithuania) which made it possible for the restoration of their independence in a largely peaceful way. Bergins' maturation was influenced by the broad spiritual up-welling of this period, and the increased attention paid to the historical past of his country and its people.
机译：出生并成长在里加,法学博士的祈祷拉脱维亚的首都,没有陶瓷的直接的路线。在里加詹尼斯Rozentals艺术高中,之后,设计艺术学院的拉脱维亚。开始了他的艺术之旅,年轻的艺术家尝试了各种领域的创造性活动,但是在陶瓷找到了他真正想做的。他的第一个陶瓷作品,盘子和花瓶釉上装饰以及上厕所,1987年展览会”嘉娜刚毛“画廊在里加的老城。这个节目的成功导致的祈祷他产生了突出的个人风格一系列作品在1989年举行的展览众议院Dzintari尤尔马拉的艺术家。是,它实际上是一个优势的祈祷没有通过学术陶瓷的计划,他是受保护的从传统的陈词滥调和禁忌而产生陶瓷教育。创造性的身份的时间相吻合历史的突破:戈尔巴乔夫的政策自由化在苏联(改革)和波罗的海的“歌唱革命”共和国(爱沙尼亚,拉脱维亚,立陶宛)有可能他们的恢复独立和平的方式。成熟是影响广泛的精神up-welling的这段时间,增加他的对历史的关注国家和人民。

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