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Marking the crown: Chimú territorial expansion and the appropriation of ancestral water resources in the highland Andes (AD 1000–1476)

机译:标记王冠:奇穆的领土扩张和安第斯山脉高地祖先水资源的侵占(公元 1000-1476 年)

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Abstract Rock art in the precontact Andes was frequently associated with venerated, pacarina water spring features. As nodes in the cultural landscape, pacarina were, and still are, considered critical access points to the primordial underworld from which the Ancestors arose to the world above and appropriating them was vital linking identity to the land, and to territorial expansion. During the Late Intermediate Period (AD 1000–1476), the Chimú Kingdom on present‐day Peru's central and north coasts aggressively expanded their influence in a time characterized by drought, conflict, and political fragmentation. This research focuses on a key rock art panel at Diablo Retrato, a rock shelter and pacarina situated at the headwaters of the Fortaleza River (4087 m above sea level), a highland landscape feature that was beyond the sphere of Chimú control and was a protected locale of the neighboring Chancay peoples to the south, a polity with whom the Chimú had combative relations. I combine colonial, ethnographic accounts with iconographic analysis, and radiocarbon dates obtained from soot samples on Diablo Retrato's walls to demonstrate how this rock art panel linked this pacarina to the Chimú royalty in the interest of expanding influence and appropriating valuable cultural and water resources. This article is categorized under: Human Water > Rights to Water Human Water > Water as Imagined and Represented
机译:抽象precontact安第斯山脉的岩石艺术经常与崇敬,pacarina水弹簧特性。景观,pacarina,仍被认为是关键的访问点原始祖先的黑社会出现上面的世界和挪用是至关重要的身份与土地,领土扩张。中间时期(公元1000年- 1476年),齐穆王国现在还是日秘鲁中部和北部沿海地区积极扩大他们的影响力时间的特点是干旱,冲突,政治上的分裂。一个关键的岩石艺术小组壮士Retrato,岩石住所和pacarina位于上游福塔雷萨河(海拔4087米),这是超出了一个高地的景观特征齐穆范围控制和保护地区的邻国Chancay人民南,一个政治和齐穆有好斗的人关系。账户肖像的分析,放射性碳年代测定从烟尘样品暗黑破坏神Retrato的墙来证明这一点岩石艺术小组这pacarina齐穆有关皇室成员的利益扩大影响力和占用宝贵的文化和水资源。人类人类水>水>权利想象和代表

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