I just added Fluid Mask to my digital toolbox and I'm already starting to see its benefits. I shoot commercial portraiture for a varied clientele, including editorial and advertising clients like Rolling Stone, New York, FHM, Esquire, Saatchi Saatchi, FCB, and Publicis. The portrait work I do sometimes requires me to shoot my subject and the backdrop separately. This might be because the client is after a very specific backdrop that cannot physically be brought to the models at the time of the shoot, or because the personality can't be moved from his or her location.
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