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Openness

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The design of interiors, not unlike the works of art central to Umberto Eco's exploration of the concept of openness, is completed by the end-users engage with it. Defined as open by Eco, such works foreground subjectivity, chance, multiplicity, and interactivity-factors that are always already situated within interiors. To consider the openness of interiors, however, one immediately has to acknowledge that this space is profoundly defined by enclosures. Indeed, in both theory and practice, interiors deal with boundaries whether it is in order to maintain or dissolve them. Such boundaries are spatial, temporal, physical, psychological, professional, disciplinary, accepted, contested, real, and imagined. Like light or liquid, the shape of interiors often reveals itself only upon encountering that which contains it. Meanwhile, the question of where interiors begin and where they end spatially or intellectually remains elusive in its own right.

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