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Optics and Biologic Connectedness

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"…It is this passion for beautiful colors that makes us paint as we do…and not the love of the 'dot,' as foolish people say," wrote painterPaul Signac in his journal (1). He was defending the art movement started byhis good friend and fellow artist George Seurat and built upon by Signac him-self, Camille Pissarro, and others. This movement, divisionism or pointillism,was Seurat's artistic contribution during a brief but extraordinary life. Parisian from a middle-class family, tall, and handsome, Seurat enjoyed acomfortable life and proper education. He showed early talent for drawing,studied sculpture, and attended the prestigious école Des Beaux-Arts. A com-petent photographer, he became interested in the workings of light, particular-ly in black-and-white images. This interest grew as he studied optics and theprocesses at work on the silver particles of photographic film (2). During hisart studies, particularly under the tutelage of a student of Ingres, he came tobelieve in a systematic approach to

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