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It Is in the Nature of the Colours

机译:这是色彩的本质

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This study corroborates the view that perceptual categorization does not require linguistic categories, and simple tasks like ordering colours on the basis of their similarities evince well-structured perceptual categories, defined relatively to visual perception and independently from experience, language and higher-level cognition. The independence of these categories from experience, language, and higher-level cognition would be an argument for their naturalness, and hence for their universality, and for their role in shaping language itself. On the other hand, the influence of language on colour perception would come about by facilitating perception-controlled behaviours. The ordering procedure which rests on perceptual similarity yields a colour system in which perceptual categories are implicit and yet clear and stable. In fact, it shows that whatever speakers in whatever language community share the same experience of colour. The arguments presented favour the `universalist' thesis and are important in regard to both the research methodology and interpretation of the experimental data. The study's distinctive features are the interdisciplinary nature of its approach, the gestaltist theoretical and methodological conception adopted, and the concept of the naturalness of colour advanced and discussed.
机译:这项研究证实了以下观点:感知分类不需要语言类别,而简单的任务(例如,基于它们的相似性对颜色进行排序)则需要结构化的感知类别,相对于视觉感知来定义,并且独立于经验,语言和更高层次的认知。这些类别与经验,语言和更高层次的认知之间的独立性将是它们的自然性,因此的普遍性以及它们在塑造语言本身中的作用的一个论据。另一方面,语言对颜色感知的影响将通过促进感知控制的行为来实现。基于感知相似性的排序过程会产生一种颜色系统,其中的感知类别是隐式的,但又清晰稳定。实际上,它表明,无论哪个语言社区的讲者都拥有相同的色彩体验。提出的论点支持“普遍论”的论点,对于研究方法和实验数据的解释都非常重要。该研究的显着特征是其研究方法的跨学科性质,采用的格式学理论和方法论概念以及对色彩自然性的认识得到了深入的讨论。

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