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Film media and nationalism in Thailand : comparative studies of film media propaganda in Thailand and its influence on Thai nationalism, political ideology, and class structure since the enactment of the Thai Constitution of 1997.

机译：泰国的电影媒体和民族主义：自1997年泰国宪法颁布以来，泰国电影媒体宣传的比较研究及其对泰国民族主义，政治意识形态和阶级结构的影响。

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摘要

During periods of official nationalism in Thailand, the Thai media played a significant role in promoting government policy. The Thai media during those periods was a government orientated enterprise. However, the Thai parliament approved a new constitution in 1997 which aims to minimise state control over the media. It is for this reason that this thesis chose to study current events and the current situation. Once the media was opened up, the patterns of ownership started to change. The media, post 1997, began to change from a government orientated enterprise towards a market-orientated private enterprise. This thesis investigates the interaction between media and nationalism in Thailand. It looks at the relationship between media owners and political leaders in general. This thesis also looks at the signs, symbols, costumes, and messages that generate nationalistic feelings among audiences. This research was carried out by analysing the film contents. This analysis of content is used to demonstrate the hypothesis, which states that the new patterns of ownership of the media have led to new techniques for shaping nationalism. In order to do so, this thesis employs a media and nationalism framework which is created by using numerous theories on media and nationalism. The results have indicated that, although the primary motive of film-making may now be turning a profit, films which aim to promote the nationalism or political agendas still exist. It appears in several case studies that the private media owners and the political leaders share common interests. The filmmakers do not hesitate to use the symbols, cultures, and traditions, which are invented by the leaders. Symbols that represent power and legitimacy of the political leaders are promoted by an attempt of the filmmaker to persuade audiences that those practices and tradition, and by extension, the leaders are righteous. Individual films target different classes in Thai society, which vary by their beliefs, culture, and practices. The filmmakers are either making the film according to the culture of those classes to strengthen the nationalistic awareness from the audiences, or they are using their medium to persuade the audiences to accept their class values. Either way, it can be demonstrated that since the end of the period of official nationalism, nationalism is still promoted through film. This media support of political agendas can be seen as the new style to promote nationalism.
机译：在泰国正式民族主义时期，泰国媒体在促进政府政策方面发挥了重要作用。在那个时期，泰国媒体是政府主导的企业。但是，泰国议会于1997年批准了新宪法，旨在最大程度地减少国家对媒体的控制。出于这个原因，本文选择研究时事和现状。媒体开放之后，所有权模式开始改变。 1997年以后的媒体开始从以政府为导向的企业转变为以市场为导向的私营企业。本文研究了泰国媒体与民族主义的互动。它着眼于一般媒体所有者与政治领导人之间的关系。本文还着眼于在观众中产生民族主义色彩的标志，符号，服饰和信息。这项研究是通过分析胶片内容进行的。对内容的这种分析被用来证明这一假设，该假设指出，媒体所有权的新模式导致形成民族主义的新技术。为此，本文采用了媒体和民族主义的框架，该框架是通过使用众多关于媒体和民族主义的理论而建立的。结果表明，尽管电影制作的主要动机现在可能正在牟利，但旨在促进民族主义或政治议程的电影仍然存在。在一些案例研究中，似乎私人媒体所有者和政治领导人有着共同的利益。电影制片人会毫不犹豫地使用领导者发明的象征，文化和传统。电影制片人试图说服观众相信，这些做法和传统乃至领导者都是正义的，以此来代表政治领导人的权力和合法性的象征得到了促进。个别电影针对的是泰国社会中的不同阶层，这些阶层因其信仰，文化和习俗而异。电影制片人要么根据那些阶级的文化来制作电影，以增强观众的民族主义意识，要么他们正在使用自己的媒介说服观众接受他们的阶级价值观。无论哪种方式，都可以证明，自官方民族主义时期结束以来，民族主义仍通过电影来推广。媒体对政治议程的支持可以看作是促进民族主义的新方式。

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    Tiebtienrat Chakrit;

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