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Was Parsons right? An experiment in usability of music representations for melody-based music retrieval

机译:帕森斯对吗?基于旋律的音乐检索的音乐表现的可用性实验

摘要

In 1975 Parsons developed his dictionary of musical themes based on a simple contour representation. The motivation was that people with little training in music would be able to identify pieces of music. We decided to test whether people of various levels of musical skill could indeed make use of a text representation to describe a simple melody query. The results indicate that the task is beyond those who are unmusical, and that a scale numeric representation is easier than a contour one for those of moderate musical skill. Further, a common error when using the scale representation still yields a more accurate contour representation than if a user is asked to enter a contour query. We observed an average query length of about seven symbols for the retrieval task.
机译:1975年,帕森斯根据简单的轮廓表示开发了他的音乐主题词典。这样做的动机是,未经音乐培训的人就能识别音乐作品。我们决定测试各种音乐水平的人是否确实可以利用文本表示来描述简单的旋律查询。结果表明,这项任务超出了那些不懂音乐的人的范围,对于具有中等音乐技能的人来说,比例数字表示比等高线表示更容易。此外,与要求用户输入轮廓查询相比,使用比例尺表示时的常见错误仍然会产生更准确的轮廓表示。我们观察到检索任务的平均查询长度约为七个符号。

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    Uitdenbogerd A; Yap Y;

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  • 年度 2003
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