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The spaces of the Wednesday Play (BBC TV 1964–1970): production, technology and style

机译：周三演出的空间（BBC TV 1964–1970）：制作，技术和风格

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The BBC television drama anthology The Wednesday Play, broadcast from 1964-70 on the BBC1 channel, was high-profile and often controversial in its time and has since been central to accounts of British television’s ‘golden age’. This article demonstrates that production technologies and methods were more diverse at that time than is now acknowledged, and that The Wednesday Play dramas drew both approving but also very critical responses from contemporary viewers and professional reviewers. This article analyses the ways that the physical spaces of production for different dramas in the series, and the different technologies of shooting and recording that were adopted in these production spaces, are associated with but do not determine aesthetic style. The adoption of single-camera location filming rather than the established production method of multi-camera studio videotaping in some of the dramas in the series has been important to The Wednesday Play’s significance, but each production method was used in different ways. The dramas drew their dramatic forms and aesthetic emphases from both theatre and cinema, as well as connecting with debates about the nature of drama for television. Institutional and regulatory frameworks such as control over staff working away from base, budgetary considerations and union agreements also impacted on decisions about how programmes were made. The article makes use of records from the BBC Written Archives Centre, as well as published scholarship. By placing The Wednesday Play in a range of overlapping historical contexts, its identity can be understood as transitional, differentiated and contested.
机译：英国广播公司（BBC）电视剧选集1964年至70年在英国广播公司（BBC1）频道播出的《星期三戏》备受瞩目，并在当时引起争议，自此成为英国电视台“黄金时代”的焦点。本文证明了当时的制作技术和方法比现在公认的要多样化，并且“星期三戏剧”的戏剧吸引了当代观众和专业评论家的认可，但也做出了非常批判的回应。本文分析了系列中不同戏剧的实物生产空间以及在这些生产空间中采用的不同拍摄和录制技术，这些方式与审美风格相关联但不确定。在该系列的某些电视剧中，采用单摄像机外景拍摄而不是多摄像机演播室录像的既定制作方法对星期三戏剧的重要性很重要，但是每种制作方法的使用方式不同。这些戏剧从戏剧和电影中汲取了戏剧性的形式和美学上的重视，并与有关电视戏剧本质的辩论联系在一起。制度和监管框架，例如对远离基地的工作人员的控制，预算考虑和工会协议，也影响了有关计划制定方式的决定。这篇文章利用了BBC书面档案中心的记录以及已发表的奖学金。通过将《星期三戏剧》置于一系列重叠的历史背景中，其身份可以理解为过渡性，差异性和争议性。

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    Bignell Jonathan;

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