首页> 外文OA文献 >Podium Discourse: Verbal Communication in Secondary School Band Programs
【2h】

Podium Discourse: Verbal Communication in Secondary School Band Programs

机译:演讲台:中学乐队课程中的口头交流

摘要

The purpose of this qualitative case study was to examine how music educators in the role of conductor use verbal communication to teach musical concepts and increase the performance level of the ensemble in a secondary school band rehearsal context. During the course of this study, four secondary school music educators were interviewed twice, observed directing two rehearsals, and participated in a focus group discussion. Discourse Analysis and Foucault’s Post-structuralism were used as the framework for analysis for this study. The four main themes emerging from the data were communication from the podium, teaching musical concepts, improving musical performance levels, and changes in verbal communication practices. Music educators used the following conventions of language: providing information, giving instructions, providing feedback, error correction, drill, and modeling to teach musical concepts and improve performance. In Foucault’s terms, the participants utilized the narrative (i.e., provided information), the process (i.e., gave instructions and model), the event (i.e., provide feedback and correct errors), and the repetition (i.e., drill). Each participant displayed unique verbal communication practices that related to her/his perceived role as conductor, teaching philosophy, experiences, and personality. All of the participants used a variety of communication strategies (scaffolding language, providing feedback, and the three-part sequence) to teach musical concepts and improve the overall performance of the ensemble. They provided information to support their instructions and used feedback, modeling, information, instructions, and drill to assist with error correction. The findings suggest that the use of clear, specific language resulted in improved levels of student learning and performance. Conductors may gain insight regarding student learning if they give their students the opportunity to critically think and share ideas in rehearsal. Finally, music teachers could reduce the amount of spoken language devoted to giving instructions, providing feedback, and making corrections if their discourse is used in conjunction with clear conducting gestures that the students understand.
机译:本定性案例研究的目的是研究在指挥乐队中的音乐教育者如何在中学乐队排练的背景下,通过口头交流来教授音乐概念并提高合奏的演奏水平。在研究过程中,两次采访了四位中学音乐教育工作者,观察了两次排练,并参加了焦点小组讨论。话语分析和福柯的后结构主义被用作本研究的分析框架。数据中出现的四个主要主题是讲台上的交流,讲授音乐概念,提高音乐演奏水平以及语言交流方式的变化。音乐教育者使用以下语言约定:提供信息,提供指导,提供反馈,纠错,练习和建模,以教授音乐概念并提高演奏效率。用福柯的话说,参与者利用了叙述(即提供的信息),过程(即提供了说明和模型),事件(即提供了反馈和纠正错误)以及重复(即演练)。每个参与者都表现出独特的言语交流行为,这些行为与她/他作为指挥的角色,教学理念,经验和个性有关。所有参与者都使用了多种交流策略(脚手架语言,提供反馈和三部分的顺序)来教授音乐概念和提高整体演奏的整体效果。他们提供了信息以支持其说明,并使用了反馈,建模,信息,说明和演练来辅助错误纠正。研究结果表明,使用清晰,特定的语言可以提高学生的学习水平和表现。如果指挥让学生有机会在排练中进行批判性思考和分享想法,他们可能会获得有关学生学习的见识。最后,如果音乐教师的话语结合了学生所能理解的清晰手势,那么他们可以减少口头表达,提供反馈和纠正的语言量。

著录项

  • 作者

    Hopper Patricia Ann;

  • 作者单位
  • 年度 2016
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
  • 中图分类

相似文献

  • 外文文献
  • 中文文献
  • 专利

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号